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Horror on 42nd Street

Other // Unrated // July 1, 2004
List Price: $24.99 [Buy now and save at Millenianet]

Review by DVD Savant | posted July 26, 2004 | E-mail the Author

Reviewed by Glenn Erickson

A mail order company called Sinister Cinema used to have sixty or seventy volumes of compilations of theatrical coming attractions, usually based on genre. Before many of the full films were available on home video, these trailers were often one's first opportunity to get a glimpse at obscure horror and science fiction titles.

There have been trailer compilation DVDs of varying quality and now two micro-label DVD outfits have new collections to offer. Both concentrate roughly on sleazy pulp from the 1960s and 1970s, with bizarre cultural oddities mixed in. Unlike the old Sinister Cinema tapes the quality here is consistently good and all of the trailers are mastered from 35mm prints. At the present time, both DVDs are available only online.

Ban One Productions' first trailer instalment concentrates on the Horror genre, although some sex & sadism titles end up in quasi-porn territory anyway. The overall quality of transfer and encoding is even better than on the competing DVD. The list below isn't in disc order but the trailers are this time individually accessible, and there are other extras in the form of galleries of lobby cards, etc.

Starting with a late 60s reissue trailer for Freaks, the 42nd Street collection stays mostly with the kind of film that would be grindhouse fodder, with a few interesting digressions. Jack Cardiff's silly The Mutations is here, along with Bob Clark's influential Black Christmas and the splatterfest Mark of the Devil 2. Unrelated to horror but very welcome is a trailer for Otto Preminger's Skiddoo (with Carol Channing's demented title song). You couldn't get me near Chatterbox and the trailer here helps banish any residual curiosity. There are a couple of cannibalism titles, hillbilly sleaze epics, blaxploitation crudities and marginal trash pictures with titles remembered from low-rent marquees, like The Aroused and Virgin Witch. One special title is Michael Reeves' Revenge of the Blood Beast, a rare Barbara Steele film that I've only seen in unwatchable flat VHS copies. This widescreen trailer has perfect color and makes one hope the title will be restored some day soon.

The collection ends with a real coup, an original German theatrical trailer for Salo, the 120 Days of Sodom in excellent condition. This is surely the classiest, most disturbingly valid film ever made.  1 The trailer barely has to show anything to give us the impression of a peek into the heart of true depravity - and it's put together with a classy art-film sell. Brrrr.

Contents:

Wonder Women, Invitation to Ruin, Fighting Mad (Teaser and Trailer), Salo: 120 Days of Sodom (German), Legend of Boggy Creek, Virgin Witch, Sins of the Daughter, House of Missing Girls, Dixie Dynamite, Hooker's Revenge/Photographer's Model, Women and Bloody Terror/Night of Bloody Horror, Savage Sisters, Josie's Castle, School Girl Bride, Tales of the Bizarre, The Mutations, Black Christmas, Food of the Gods, The Devil's Rain, Chatterbox, I Dismember Mama/Blood Spattered Bride, Carnivorous (aka Jungle Holocaust), Creature with the Blue Hand, Mark of the Witch, Freaks, Crippled Masters, Mark of the Devil 2, Shantytown Honeymoon, Revenge of the Blood Beast, Skiddoo, Welcome Home Brother Charles (aka Soul Vengeance), The Aroused, The Wild Eye, Wild Scene, The Animals, Vigilante Force

The 42nd Street Forever! Volume 1 Trailer collection DVD can be found at the Ban 1 Productions website.


On a scale of Excellent, Good, Fair, and Poor,
Horror on 42nd Street rates:
Trailers: Very Good
Video: Very Good
Sound: Good
Supplements: pictures, press materials, lobby cards, promotional gimmicks
Packaging: Keep case
Reviewed: July 23, 2004

Footnote:

1. Salo is a real problem, a movie that has important and truthful things to say about political torture and sexual perversion, yet is so extreme that it can't be recommended to any but hardened viewers of sadistic films. It's valid in the sense that it's legitimately honest and artistically sound, but sitting through it is a nightmarish ordeal - there are levels of perversity in the voyeuristic conclusion that make one want to destroy the human race and let nature try again from scratch. Seeing it in 1977 was basically an accidental occurrence. The audience sat in shocked silence punctuated by disbelieving gasps. I wouldn't like to see it in a theater now, as a crowd of gorehounds reacting would make me feel like the filmic atrocities were alive in the audience. Anyone tempted to check this one out, I recommend reading as much as one can about it first.
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